Something from the Nightside n-1 Page 2

  "Please." She didn't look comfortable saying the word, but she said it anyway. Not for herself, but for her daughter. "I have to come with you. I have to know. I can't just sit at home any more, waiting for the phone to ring. You know the Nightside. Take me there."

  We stared at each other for a while, both of us perhaps seeing a little more of the other than we were used to showing the world. And in the end I nodded, as we both knew I would. But for her sake, I tried one more time to make her see reason.

  "Let me tell you about the Nightside, Joanna. They call London the Smoke, and everyone knows there's no smoke without fire. The Nightside is a square mile of narrow streets and back alleys in the centre of city, linking slums and tenements that were old when the last century was new. That's if you believe the official maps. In practice, the Nightside is much bigger than that, as though space itself has reluctantly expanded to fit in all the darkness and evil and generally strange stuff that has set up home there. There are those who say the Nightside is actually bigger than the city that surrounds it, these days. Which says something very disturbing about human nature and appetites, if you think about it. Not to mention inhuman appetites. The Nightside has always been a cosmopolitan kind of place."

  "It's always night in the Nightside. It's always three o'clock in the morning, and the dawn never comes. People are always coming and going, drawn by needs that dare not speak their names, searching for pleasures and services unforgivable in the sane, daylight world. You can buy or sell anything in the Nightside, and no-one asks questions. No-one cares. There's a nightclub, where you can pay to see a fallen angel forever burning inside a pentacle drawn in baby's blood. Or a decapitated goat's head, that can tell the future in enigmatic verses of perfect iambic pentameter. There's a room where silence is caged, and colours are forbidden, and another where a dead nun will show you her stigmata, for the right price. She didn't rise again, after all, but she'll still let you stick your fingers in the blood-caked holes, if you want."

  "Everything you ever feared or dreamed of is running loose somewhere in the shifting streets of the Nightside, or waiting patiently for you in the expensive private rooms of patrons-only clubs. You can find anything in the Nightside, if it doesn't find you first. It's a sick, magical, dangerous place. You still want to go there?"

  "You're lecturing me again."

  "Answer the question."

  "How could such a place exist, right here in the heart of London, without everyone knowing?"

  "It exists because it has always existed, and it stays a secret because the powers that be, the real powers, want it that way. You could die there. I could die there, and I know my way around. Or at least, I did. I haven't been back in years. Still want to do this?"

  "I'll go wherever my daughter is," Joanna said firmly. "We haven't always been… as close as I would have liked, but I'll go into Hell itself to get her back."

  I smiled at her then, and there was little humour in that smile. "You may have to, Joanna. You might very well have to."

  TWO — Getting There

  My name is John Taylor. Everyone in the Nightside knows that name.

  I'd been living an ordinary life in the ordinary world, and as a reward no-one had tried to kill me in ages. I liked being anonymous. It took the pressure off. The pressure of recognition, of expectations and destiny. And no; I don't feel like explaining any of that just yet. I hit thirty a few months ago, but found it hard to give a damn. When you've been through as much bad fortune as I have in my time, you learn not to sweat the small stuff. But even the small problems of an everyday world can mount up, and so there I was, going back again, back to the Nightside, despite all my better judgment. I left the Nightside five years ago, fleeing imminent death and the betrayal of friends, and swore through blood-flecked lips that I'd never go back, no matter what. I should have remembered; God does so love to make a man break a promise.

  God, or Someone.

  I was going back to a place where everyone knew me, or thought they did. I could have been a contender, if I'd cared enough. Or perhaps I cared too much, about all the little people I'd have had to step on, to get there. To tell the truth, which I try very hard not to do in public, I never was all that ambitious. And I was never what you'd call a joiner. So I went my own way, watched my own back, and tried to live by my own definition of honour. That I screwed up so badly wasn't all my fault. I saw myself as a knight-errant… but the damsel in distress stabbed me in the back, my sword shattered on the dragon's hide, and my grail turned out to be the bottom of a whiskey bottle. I was going back, to old faces and old haunts and old hurts; and all I could do was hope it would be worth it.

  There was no point in hoping not to be noticed. John Taylor is a name to conjure with, in the Nightside. Five years' exile wouldn't have changed that. Not that any of them ever knew the real me, of course. Ask about me in a dozen different places, and you'd get a dozen different answers. I've been called a warlock and a magus, a con man and a trickster, and an honest rogue. They're all wrong, of course. I'd never let anyone get that close. I've been a hero to some, a villain to others, and pretty much everything in between. I can do a few things, beside finding people, some of them quite impressive. When I ask a question, people usually answer. I used to be a dangerous man, even for the Nightside; but that was five years ago. Before the fates broke me, on the wheel of love. I didn't know if I still had it in me to be really dangerous, but I thought so. It's like knocking someone off a bike with a baseball bat; you never really lose the knack.

  I've never carried a gun. I've never felt the need.

  My father drank himself to death. He never got over finding out his wife wasn't human. I never knew her at all. People on my street took it in turns to look after me, with varying amounts of reluctance and attention, with the result that I never really felt at home anywhere. I have a lot of questions about myself, and I'm still looking for answers. Which is perhaps why I ended up as a private investigator. There's a certain comfort to be had in finding the answers to other people's problems, if you can't solve your own. I wear a long white trench coat when I'm working. Partly because it's expected of me, partly because it's practical, mostly because it establishes an expected image behind which I can conceal the real me. I like to keep people wrong-footed. And I never let anyone get close, any more. As much for their protection as mine.

  I sleep alone, I eat everything that's bad for me, and I take care of my own laundry. When I remember. It's important to me to feel self-sufficient. Not dependent on anyone. I have bad luck with women, but I'd be the first to admit it's mostly my fault. Despite my life I'm still a Romantic, with all the problems that brings. My closest female friend is a bounty hunter, who operates exclusively in the Nightside. She tried to kill me once. I don't bear a grudge. It was just business.

  I drink too much, and mostly I don't care. I value its numbing qualities. There's a lot I prefer not to remember.

  And now, thanks to Joanna Barrett and her errant daughter, I was heading back into Hell. Back into a place where people have been trying to kill me for as long as I remember, for reasons I've never understood. Back into the only place where I ever feel really alive. I'm more than just another private detective, in the Nightside. It was one of the reasons why I left. I didn't like what I was becoming.

  But as I headed down into the Underground system below London's streets, with Joanna Barrett in tow, damn if it didn't feel like coming home.

  It didn't matter which station or line I chose. All routes lead to the Nightside. And the whole point of the Underground is that every rail station looks the same. The same tiled walls, the same ugly machines, the overly bright lights and the oversized movie and advertising posters. The dusty vending machines, that only tourists are dumb enough to actually expect to get something out of. The homeless, sitting or lying in their nests of filthy blankets, begging for spare change, or just glad to be away from the elements for a while. And, of course, the endless tramp of hurrying feet. Of shoppers,
commuters, tourists, businessmen, and media types, always in a hurry to be somewhere else. London hasn't quite reached saturation point yet, like Tokyo, where they have to employ people to forcibly squeeze the last few travellers into a carriage, so the doors will close; but we're getting there.

  Joanna stuck close to me as I led the way through the tunnels. It was clear she didn't care for her surroundings, or the crowds. No doubt she was used to better things, like stretch limousines with a uniformed chauffeur and chilled champagne always at the ready. I tried not to smile as I led her through the crush of the crowds. Turned out she didn't carry change on her, so I ended up having to pay for tickets for both of us. I even had to show her how to work the machines with her ticket.

  The escalators were all working for once, and we made our way deeper into the system. I took turnings at random, trusting to my old instincts to guide me, until finally I spotted the sign I was looking for. It was written in a language only those in the know would even recognise, let alone understand. Enochian, in case you're interested. An artificial language, created long ago for mortals to talk with angels, though I only ever met one person who knew how to pronounce it correctly. I grabbed Joanna by the arm and hustled her into the side tunnel underneath the sign. She jerked her arm free angrily, but allowed me to urge her through the door marked Maintenance. Her protests stopped abruptly as she found herself in what appeared to be a closet, half-full of scarecrows in British Rail uniforms. Don't ask. I pulled the door shut behind us, and there was a blessed moment of peace as the door separated us from the roar of the crowds. There was a phone on the wall. I picked it up. There was no dialling tone. I spoke a single word into the receiver.

  "Nightside."

  I put the phone back and looked expectantly at the wall. Joanna looked at me, mystified. And then the dull grey wall split in two, from top to bottom, both sides grinding apart in a steady shuddering movement, to form a long narrow tunnel. The bare walls of the tunnel were blood-red, like an opened wound, and the sourceless light was dim and smoky. It smelled of ancient corrupt perfumes and crushed flowers. A murmur of many voices came from within the tunnel, rising and falling. Snatches of music faded in and out, like so many competing radio signals. Somewhere a cloister bell was ringing, a lost and lonely, doleful sound.

  "You expect me to go into that?" said Joanna, finding her voice at last. "It looks like the road to Hell!"

  "Close," I said calmly. "It's the way to the Nightside. Trust me; this part of the journey is quite safe."

  "It feels bad," Joanna said quietly, staring fascinated into the tunnel, like a bird at a snake. "It feels… unnatural."

  "Oh, it's all of that. But it's the best way to get to your daughter. If you can't handle this, turn back now. It's only going to get worse."

  Her head came up, and her mouth firmed. "You lead the way."

  "Of course."

  I stepped forward into the tunnel, and Joanna was right there behind me. And so we left the everyday world behind.

  We emerged from the connecting tunnel onto a station platform that at first glance was no different than what you'd expect. Joanna took a deep breath of relief. I didn't say anything. It was better for her to notice things for herself. The wall closed silently behind us as I led Joanna down the platform. It was five years since I'd last been here, but nothing had really changed. The cream-tiled walls were spattered here and there with old dried bloodstains, deep gouges that might have been clawmarks, and all kinds of graffiti. As usual, someone had spelt Cthulhu wrongly.

  On the curving wall opposite the platform, the list of destinations hadn't changed. Shadows Fall. Nightside. Haceldama. Street of the Gods. The posters were still strange, disturbing, like scenes from dreams best forgotten. Famous faces advertised films and places and services of the kind normally only discussed in whispers. The people crowding the platform were a sight in themselves, and I enjoyed Joanna's reactions. It was clear she would have liked to stop and stare open-mouthed, but she was damned if she'd give me the satisfaction. So she stumbled on, wide eyes darting from one unexpected sight to the next.

  Here and there buskers were playing unfamiliar tunes, their caps on the floor before them, holding coins from all kinds of places, some of which no longer existed, and a few that never had. One man sang a thirteenth-century ballad of unrequited love in plain-chant Latin, while not far away another sang Bob Dylan verses backwards, accompanying himself on air guitar. The guitar was slightly out of tune. I dropped a few coins into both their caps. Never know when you might need a little extra credit in the karma department.

  Further down the platform, a stooped Neanderthal in a smart business suit was talking animatedly with a bored-looking dwarf in full Nazi SS uniform. A noble from Queen Elizabeth I's court, complete with ruff and slashed silks, was chatting amiably with a gorgeous six-foot transvestite in full chorus girl outfit, and it was hard to tell which of them looked more extreme. A woman in futuristic space armour and a nude man covered in tattoos and splashes of woad were eating things on sticks that were still wriggling. Joanna had come to a full stop by now. I tapped her on the shoulder, and she all but jumped out of her skin.

  "Try not to be a tourist," I said dryly.

  "What…" She had to stop and try again. "What is this place? Where have you brought me? And who the hell are these people?"

  I shrugged. "This is the quickest way to the Nightside. There are others. Some official, some not. Anyone can walk down the wrong street, open the wrong door, and end up in the Nightside. Most of them don't last long, though. London and the Nightside have rubbed up against each other for so long now that the barriers are getting dangerously thin. Someday they'll all come crashing down, and all the poisons in the Nightside will come spilling out; but I plan to be safely dead and in my grave by then. However, this is still the safest way."

  "And these people?"

  "Just people, going about their lives. You're seeing a part of the world most of you never get to know about. The underside, the hidden paths, walked by secret people on secret business, pursuing goals and missions we can only guess at. There are more worlds than we know, or would wish to know, and most of them send people through the Nightside sooner or later. You can meet all sorts here, in the Underground, and never know harm as long as the ancient Truce holds. Everyone comes to the Nightside. Myths and legends, travellers and explorers, visitors from higher or lower dimensions. Immortals. Death-walkers. Psychonauts. Try not to stare."

  I led her down the platform, and it was a mark of how shaken she was that she didn't have a single comment to make. She didn't even object to my holding her arm again. Without looking round, without interrupting their conversations or in any way acknowledging my presence, the people ahead of us moved back out of the way to let us pass. A few made the sign of the cross when they thought I wasn't looking, and older warding signs against evil. It seemed I hadn't been forgotten after all. A vicar in a shabby grey cloak, with a pristine white collar and a grey blindfold over his eyes, was hawking his wares before us, a much-travelled suitcase open at his feet.

  "Crow's feet!" he yelled, in a harsh, strident voice. "Holy water! Hexes! Wooden stakes and silver bullets! You know you need them! Don't come crying to me if you end up limping home with someone else's spleen instead of your own!"

  He broke off as Joanna and I approached. He sniffed the air suspiciously, cocking his great blind head to one side. His fingers worked busily at a rosary made from human fingerbones. He stepped forward suddenly to block our way and stabbed an accusing finger at me.

  "John Taylor!" he snapped, almost spitting out the words. "Damnation's child! Demonspawn and Abomination! Bane of all the Chosen! Avaunt! Avaunt!"

  "Hello, Pew," I said easily. "Good to bump into you again. Still working the old act, I see. How's business?"

  "Oh, not too bad thanks, John." Pew smiled vaguely in my direction, putting aside his official Voice for the moment. "My wares are like travel insurance; no-one ever really believes they'll need i
t, until it's too late. It can't happen to me, they whine. But of course, in the Nightside it can, and it will. Suddenly and violently and usually quite horribly too. I'm saving lives here, if they'd only pay attention, the fools. So; what are you doing back here, John? I thought you had more sense. You know the Nightside isn't good for you."

  "I'm working a case. Don't worry; I won't be stopping."

  "That's what they all say," growled Pew, shifting his broad shoulders uneasily inside his threadbare cloak. "Still, we all do what we have to, I suppose. Who are you looking for this time?"

  "Just a runaway. Teenager called Catherine Barrett. Don't suppose the name means anything to you?"

  "No. But then, I'm pretty much out of the loop these days, by my own choice. Hard times are coming… word of advice, boy. I hear things, bad things. Something new has come into the Nightside. And people have been mentioning your name again. Watch your back, boy. If anyone's going to kill you, I'd much rather it was me."

  He turned away abruptly and took up his piercing cry again. There's no-one closer, more like family, than old enemies.

  The platform shook, there was a blast of approaching air, and a train roared into the station and slowed to a stop — a long shining silver bullet of a train, with no windows anywhere. The carriages were solid tubes of steel, with only the heavily reinforced doors standing out against their shimmering perfection. The doors hissed open, and people poured in and out. I was ready to take Joanna by the arm again, but it wasn't necessary. She strode into the carriage before her without hesitating, her head held high. I followed her in and sat down beside her.

  The carriage was almost empty, for which I was grateful. I've never liked being crowded. All kinds of things can hide in a crowd. The man sitting opposite us was reading a Russian newspaper with great concentration. The date below the masthead was from a week in the future. Further down the immaculately clean carriage sat a young woman kitted out in full Punk regalia, right down to the multiple face piercings and fierce green mohawk rising up from her shaved head. She was reading an oversized leather-bound Holy Bible. The pages appeared to be blank, but the white on white of her unblinking eyes marked her as a graduate of the Deep School, and I knew that for her and her alone, the pages were full of awful wisdom.